30 March 2018
|Psalm 30||Father, into your hands (mtgf)|
|Gospel Acclamation||Lenten (mtgf)|
|Adoration of the Cross||What wondrous love (Southern Harmony)|
|Calvarie Mass (Tallis arr. Wood)|
|Communion||O Crux ave (Rihards Dubra)|
|When I survey the wondrous cross|
The pared down version meant a different version of the psalm - sung unaccompanied. We are lucky that our accompanist is not only willing to sing but also appreciates being unaccompanied (I have known accompanists who have been personally affronted by unaccompanied singing and wanted to accompany anything). For balance I would note that some of singers feel we can venture unaccompanied too quickly before they are confident - i.e. they are singing the right note if it does not clash with the keyboard rather than whether it sounds right against the other parts. The paring down gave a reason to not do some music which have been staples. But the instruments gave the excuse to do my adaptation of Charles Wood's version of Tallis 1st mode melody from Wood's St Mark Passion. For the second verse there is a Bachian accompaniment of intertwining lines which adapt to the violins; in the 3rd version a descant which is marked soprano or flute in the original -and would require an accomplished voice.